Linked story collection:
- Good Citizens Need Not Fear, March 2020. Available in bookstores and for order through Doubleday (US), Knopf Canada (Canada), and Virago (UK)
Individually published stories:
- “Bone Music,” Electric Literature, March 2020
- “Letter of Apology,” Granta, Nov 2018; selected for The Best American Short Stories 2019
- “Unsound,” McSweeney’s Quarterly Concern, Aug 2018
- “Novostroïka,” The Atlantic, Dec 2016; selected for The Best American Short Stories 2017
- “Subject Winifred,” The Malahat Review, April 2016; selected for The Journey Prize Stories 29
- “Uta’s Escape,” Tin House Flash Fridays and The Guardian, March 2016; set to music by Jennifer Butler & premiered by musica intima vocal ensemble in March 2017
- “Methodology of Grace,” The New Quarterly, July 2015
Libretti & Texts:
- Plaything (chamber opera), music by Anna Pidgorna, developed by Musique 3 Femmes; world premiere in October 2022 at ufaFabrik Cultural Center (Berlin); Canadian premiere in November 2022 by Opera McGill
- Dear Agony Aunt (song cycle in progress), music by Shelley Marwood
- Our Trudy (chamber opera), music by Anna Pidgorna, commissioned by Ad Astra Music Festival, premiered June 2021
- Lost Operas of Mozart (theatrical interludes), premiered by City Opera Vancouver in October 2016 at Christ Church Cathedral, Vancouver, BC
- Watch the Hound (chamber opera), music by Stefan Hintersteininger; William George, tenor, Catherine Laub, soprano, with ERATO Ensemble; premiered March 2015 at Orpheum Annex, Vancouver, BC
- Selfie (art song), music by Shelley Marwood; Phoebe MacRae, soprano, Marguerite Witvoet, piano; premiered June 2014 during Songfire Festival in Vancouver, BC; performances in March & August 2016 in Toronto, Halifax & Philadelphia as part of Crossing Borders: Realities Blurred tour with Maureen Batt, soprano, Cheryl Duvall, piano
- Wanted: Your Spare Toe (art song), music by Arturo Fernandez; William George, tenor, Corey Hamm, piano; premiered June 2014 during Songfire Festival in Vancouver, BC
Non-fiction
- “The Streets of My Childhood in Ukraine Lay in Ruins,” Toronto Star, February 2022
- “On Loving and Hating My Mother Tongue,” Globe and Mail, February 2022
- “Buy A Goat, Sell A Goat,” EVENT Magazine, Spring 2021 (Notes on Writing issue)
- “Five Best: Maria Reva on Life Behind the Iron Curtain,” Wall Street Journal, June 2020
- “How to Read Surreally in a Surreal Time,” Lithub, May 2020
Translation
- Where Are You Little Red Ball? English translation from the French by Patricia Côté (Tradewind Books, 2015)
Awards & Recognition
- Winner, Shevchenko Foundation Kobzar Book Award (2022, for Good Citizens Need Not Fear)
- Finalist, Writers’ Trust of Canada Fiction Prize (2020, for Good Citizens)
- Winner, Mécénat Musica Prix 3 Femmes (2020)
- Winner, National Magazine Award for Fiction (2019, for “Unsound,” McSweeney’s)
- Winner, RBC Bronwen Wallace Award for Emerging Writers (2018, for “The Ermine Coat”)
- Winner, Keene Prize in Literature (2018, for “Bone Music”)
- Finalist, Fania Kruger Fellowship in Writing (2018, for “The Ermine Coat”)
- Winner, Fania Kruger Fellowship in Writing (2017, for “Unsound”)
- Longlist, The Writers’ Trust/McClelland & Stewart Journey Prize (2017, for “Subject Winifred”)
- High Commendation, BBC World Drama Radio Playwriting Competition (2016)
- Finalist, The Writers’ Union of Canada Short Prose Competition (2013 & 2016)
- Finalist, Commonwealth Short Story Prize (2015, for “Novostroïka”)
- Finalist, New Orleans Literary Festival Fiction Contest (2015)
- Finalist, The New Quarterly Peter Hinchcliffe Fiction Award (2014)